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“In his charming
drawl the master himself delivers
the definitive version of the song.
Half-singing, half-narrating, Carmichael
meanders through the song at a lazy
swing.” |
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- Ben Maycock
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By 1930 Hoagy Carmichael had
already written more than a dozen
songs. His most famous work, “Star
Dust” (1929), had been published
and recorded but had yet to find
success. Working at an investment
company in New York, Carmichael
was composing in his spare time
and wrote “Georgia on My Mind” at
the suggestion of friend and saxophonist
Frankie Trumbauer, a musician and
bandleader sometimes credited as
the “grandfather of modern jazz.”
According to Richard Sudhalter
in his Carmichael biography,
Stardust Melody: The Life and Music
of Hoagy Carmichael, Trumbauer
asked Carmichael, “Why don’t you
write a song about Georgia? Nobody
ever lost money writing songs about
the South.” Carmichael followed
the advice, with Stuart Gorrell
thinking of the title and helping
out with the lyrics.
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Hoagy Carmichael and His
Orchestra recorded the new song
on September 15, 1930, in a
Victor studio session. His
“orchestra” was an all-star
lineup of musicians:
Hoagy
(vocal); Bix Beiderbecke
(cornet), Ray Lodwig (trumpet);
Jack Teagarden; Boyce Cullen (trombone);
Jimmy Dorsey (clarinet/alto sax);
‘Bud’ Freeman (tenor sax); ‘Pee
Wee’ Russell (alto sax); Irving
Brodsky (piano); Joe Venuti (violin);
Eddie Lang (guitar), Min Leibrook
(bass sax), Chauncey Morehouse (drums).
This recording did not turn out
to be a hit, but success was just
around the corner. In 1931, a pivotal
and bittersweet year for Carmichael,
“Star
Dust” would appear on the pop
charts five times, and “Georgia
on My Mind” would become a number
ten hit. But the good news was mixed
with the bad; his college friend
Bill Moenkhaus and fellow musician
Bix Beiderbecke would both die at
the age of twenty-eight.
The first chart appearance of
“Georgia on My Mind” was courtesy
of Frankie Trumbauer, the man who
had suggested the song idea to Carmichael
in the first place. The pop chart
appearances included:
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Frankie Trumbauer and His Orchestra
(1931, Art Jarrett, vocal, #10)
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Mildred Bailey (1932, with Matt
Malneck and His Orchestra, #19)
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Gene Krupa (1941, Anita O’Day,
vocal, #17)
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Ray Charles (1960, with Ralph
Burns and His Orchestra, #1)
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Michael Bolton (1990, #36)
Ray Charles’ number one rendition
in 1960 won the R&B crooner two
Grammys for Best Performance
by a Pop Single Artist and
Best Vocal Performance Single
Record or Track, Male. Willie
Nelson’s 1979 recording won the
Grammy for Best Country Vocal
Performance, Male.
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On April 24, 1979, the Joint
Resolution of the Georgia General
Assembly designated “Georgia on
My Mind” as the official state song,
citing that it
“… has an enduring quality that
has made it one of the best loved
songs in America for many years”
“… describes a Georgian’s love
for his State, its beautiful melody
and lyrics have given the song a
worldwide appeal”
“… has been recorded by many
outstanding artists, but the rendition
by Mr. Ray Charles, a native Georgian,
which was first recorded in 1958,
has been greatly enjoyed by music
lovers throughout the world”
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An eloquent ballad of longing, “Georgia on My
Mind” is written with an introductory verse; the
refrain being in the popular 32-bar A-A-B-A form.
The A sections begin with “Georgia, Georgia” and,
except for the second of these, end describing how
“an old sweet song” keeps “Georgia on my mind.”
Many discussions of the song comment on the ambiguity
of Georgia and whether or not she is a woman or
a place. Though the majority of the lines are ambiguous,
the bridge, with its lines, “Other arms …” and “Other
eyes …” suggest longing for a person.
-JW
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Musical analysis of
“Georgia on My Mind”
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| Original
Key |
F major (“A”)
and D minor (“B”) |
| Form |
A1 – A2 –
B – A2 |
| Tonality |
“A” sections
are major; “B” section is in relative minor |
| Movement |
Primarily
skips (3rds) in both directions; occasional
leap (6th) downward. “B” makes use of a
minor pentatonic scale, ascending in the
first, third and fifth measures. |
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Comments
(assumed
background)
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The opening harmonic progression is similar
to that of “Charleston”
and “You’re Nobody ‘Til Somebody Loves You,”
except that the III7 resolves to a minor
vi instead of the VI7. From there, Carmichael
takes off into his own direction. The chord
progression implies a descending bass line,
which could work very well. In the original
key, this becomes: F –A7/E – Dm – Bbm/Db
– F/C – E7/B – Bb, after which the progression
goes up to C (the V7), returning to F for
the first turnaround. The contrasting “B”
section in the relative D minor is fairly
stable harmonically, never straying too
far from the tonic. The only unusual part
of this bridge is in the fourth measure,
where a flatted seventh in the melody and
a B natural over a G major chord give a
temporary impression of Dorian mode. The
upward movement from I to II7 in the sixth
measure is surprising but not jarring, creating
just enough harmonic and melodic tension
(at this point, the melody has just ascended
a ninth) so the ear is prepared for the
circle of fifths that return the piece to
the original major key. |
K. J. McElrath - Musicologist for JazzStandards.com
Check out K. J. McElrath's book of Jazz Standards Guide Tone Lines at his web site (www.bardicle.com). |
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“Georgia on My Mind”
was included in these films:
- Taxi! (1932)
- When You're Smiling (1950,
Frankie Laine)
- The Big T.N.T. Show (1966,
Ray Charles)
- Four Friends aka Georgia's Friends
(1981)
- Off Beat (1986, Ray Charles)
- Meet Wally Sparks (1997, Michael
Bolton)
- Ghost World (2000, Vince Giordano,
The Nighthawks)
- Hanging Up (2000, Steve Tyrell,
All-4-One)
- American Pie 2 (2001)
- Ray (2004, Ray Charles)
And on television:
- Designing Women (1986) theme
music for CBS sitcom
- Quantum Leap (1990, Ray Charles)
Season 2, Episode 22
- Sunday night sign-off video montage
for Georgia Public Television (2004,
Ray Charles)
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Click on a CD for more details
at Amazon.com
Bill Charlap
Stardust
2002 Blue Note 41746
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| Pianist Charlap expresses a real
affinity for the material with this heartfelt
and lyrical reading of the song. Peter Washington
on bass and Kenny Washington on drums slow
the rhythm right down to an introspective
crawl. |
Jimmy Smith
Any Number Can Win
1998, Polygram 557447
Original recording, 1963
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| Organist Jimmy Smith digs a groove
with this bluesy and soulful take on the
song. A dreamy choir in the back completes
the hip ambience. |
Elmo Hope Quartet
Hope Meets Foster
1991, Orig. Jazz Classics 1703
Original recording, 1955
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| Frank Foster’s robust tenor saxophone
is bewitching on this fast-paced bop reading
of the song. |
Rebecca Kilgore & Dave Frishberg
Not a Care in the World
1997, Arbors 19169
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| Vocalist Kilgore and pianist Frishberg
are joined by guitarist Dan Faehnle for
a gently swinging tribute to Georgia. |
Frank Morgan
City Lights
2004, HighNote
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| The beauty of this CD, besides the
playing of Morgan’s superb quartet, is that
the altoist thoroughly investigates three
standards--“Georgia on My Mind,” “Cherokee,”
and “Summertime”—plus five contemporary
compositions by Miles Davis, Monk, and Coltrane.
Recorded live at the Jazz Standard. |
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Paris before World War II was a haven for expatriate
American musicians. Freddy Johnson, a singer/entertainer,
added an Armstrongesque touch to the Quintette of
the Hot Club of France’s 1937 recording of “Georgia...,”
along with guitarist Django Reinhardt and violinist
Stephane Grappelli. A year earlier, another ex-pat,
trumpeter and vocalist Bill Coleman (who recorded
with Reinhardt), performed the tune with a trio,
featuring yet again another ex-pat, the excellent
pianist Herman Chittison.
In 1931 Coleman Hawkins, soon to be an expatriate
to France, England and Holland, recorded a version
with a racially mixed band, the Mound City Blue
Blowers. Hawkins’ standout solo makes the recording,
which also includes a vocal by leader Red McKenzie
and his kazoo-like solo on comb-and-tissue paper.
Chris Tyle - Jazz Musician and Historian
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| This section shows the jazz standards
written by the same writing team. Click on a name
to see all of a writer's jazz standards.
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Additional information on “Georgia on My Mind” may be found in:
1 paragraph including the following types of information: history and performers.
1 paragraph including the following types of information: film productions, history and performers.
3 pages including the following types of information: history and music analysis.
Includes the following types of information: song lyrics.
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