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“Tatum’s piano
playing is so rich and colorful
that the listener tends to forget
that this is a solo effort.” |
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- Ben Maycock
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This
Rodgers and Hart song was introduced
by
Benny Goodman, with vocalist
Louise Tobin, on the Columbia
label on September 13, 1939. It
entered the charts on October 28,
lasting for 13 weeks and peaking
at sixth position. On December 23,
Jimmy Dorsey & His Orchestra’s version
hit the charts for 2 weeks and rose
to thirteenth position.
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Around the same time, Marcy Westcott
and Richard Kollmar sang “I Didn’t
Know What Time It Was” in the Broadway
musical for which it was written,
Too Many Girls, which opened
at the Imperial Theater on October
18, 1939, and ran for 249 performances.
In 1940, Rodgers and Hart wrote
the score for another musical,
Higher and Higher, which
included the song “It
Never Entered My Mind.” The
lyrics for both of these songs have
two things in common: both are examples
of the then current trend to use
a common expression as the key phrase
or song title; and the subject of
the lyrics of both songs are said
to reflect Lorenz Hart’s alcoholism.
According to Rodgers, Hart would
write his lyrics after Rodgers had
written the music, whereas Oscar
Hammerstein would present the lyrics
to Rodgers before the music was
written. Getting Hart to write was
not often easy. After Hart missed
several meetings, Rodgers would
sometimes go to Hart’s apartment
and start playing the piano in an
attempt to coax lyrics from the
reticent Hart.
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In
Listening to Classic American Popular
Songs Allen Forte says of
Rodger’s music, “This temporal wandering
in the tonal space directly corresponds
to the confusion expressed in the
lyric, ‘I Didn’t Know What Time
It Was.’” It is a matter of conjecture,
then, whether the confusion reflects
Hart’s alcoholism, Rodgers’ tonal
wandering, or both.
The successful Broadway musical
was ripe for screen adaptation.
In the 1940 film,
Too Many Girls, Lucille
Ball replaced Broadway’s Marcy Westcott,
although Ball’s voice was dubbed
by Trudy Erwin. A Cuban drummer
named Desi Arnaz was recruited from
the Broadway cast, and it was on
the movie set that Lucy and Desi
met.
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“I Didn’t Know What Time It Was” has long been
a favorite of jazz instrumentalists and vocalists.
In his book
Easy to Remember: The Great American Songwriters
and Their Songs William Zinsser states,
“The contrapuntal bass line … invites an instrumentalist
or singer to improvise the melody, secure in the
elegant safety net below.” -JW
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Musical analysis of
“I Didn't Know What Time It Was”
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| Original
Key |
One sharp.
Great ambiguity between E minor and G major
through much of the song. Ends in G major. |
| Form |
A1 – A2 –
B – A2 with four measure extension |
| Tonality |
Swings back
and forth between major and minor |
| Movement |
“A” contains
many rhythmic repeated notes with upper,
lower and passing embellishing tones. “B”
is a descending tetrachord followed by descending
minor-third figure; this sequence repeats. |
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Comments
(assumed
background)
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Part of what keeps this song from becoming
“tonicized” is Rodger’s choice of the 11th
as the important melody note over several
minor chords. Since the 11th is closely
related to the interval of a fourth (being
the fourth an octave higher), it is inherently
unstable from a harmonic standpoint. In
the “B” section, the G major harmony is
heard, but the important sustained melodic
tone turns out to be the 6th. While more
stable than the 11th, it is less stable
than the root, 3rd or 5th, and what follows
(a descending scale over Am, going to B7
and ending on Em) does not serve to strengthen
the sense of G tonality. It is especially
important to have a thorough knowledge of
the tune's “head” and to find as many guide
tone lines as possible. |
K. J. McElrath - Musicologist for JazzStandards.com
Check out K. J. McElrath's book of Jazz Standards Guide Tone Lines at his web site (www.bardicle.com). |
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“I Didn't Know What Time
It Was” was included in these films:
- Too Many Girls (1940, Lucille
Ball dubbed by Trudy Erwin)
- Pal Joey (1959,
Frank Sinatra)
- A League of Their Own (1992,
James Taylor)
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Click on a CD for more details
at Amazon.com
Brad Mehldau
The Art of the Trio Vol.1
1997 Warner Bros. 46260
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| In the hands of pianist Mehldau
and trio the song takes on a whole new life.
Mehldau’s improvisation is wildly imaginative
while remaining grounded, and the group
plays with a symbiosis that is stunning. |
Benny Golson
Groovin’ With Golson
1991, Original Jazz Classics 226
Original recording, 1959
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| Tenor saxophonist Golson leads a
quintet featuring trombonist Curtis Fuller
and drummer Art Blakey on a spirited rendition
of the song which allows the horn men some
valuable time in the forefront. |
Art Tatum
Best of Solo Masterpieces
2003, Pablo Records
Original recording, 1955
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| Tatum’s piano playing is so rich
and colorful that the listener tends to
forget that this is a solo effort. The pianist’s
reading allows an insightful look into the
nuts and bolts of the song. |
Dorothy Dandridge
Smooth Operator
1999, Polygram
Original recording, 1961
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| While not the strongest singer Dandridge’s
voice is suited to the song, giving it a
late-night, gin-joint feel. The real treat
here is her “backing band” of Oscar Peterson
on piano, Herb Ellis on guitar, Ray Brown
on bass, and Alvin Stoller on drums. |
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By the advent of the long-playing record in the
1950s, record producers were exploring the potential
of the medium by recording longer works. No longer
constrained to creating a performance in a mere
three minutes, musicians were allowed to explore
a piece in a more detailed and relaxed manner.
Record producer and jazz impresario Norman Granz
brought together a remarkable group of musicians
for his Verve label in 1956. Aptly named “The Jazz
Giants,” the group was an ensemble of swing-era
greats: Roy Eldridge (trumpet); Lester Young (tenor
saxophone); Vic Dickenson (trombone);
Teddy Wilson (piano); Jo Jones (drums). One
of the highlights of the recording is the splendid
version of “I Didn’t Know What Time it Was.” Taken
at a ballad tempo, it is one of Lester Young’s best
performances.
Chris Tyle - Jazz Musician and Historian
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| This section shows the jazz standards
written by the same writing team. Click on a name
to see all of a writer's jazz standards.
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Additional information on “I Didn't Know What Time It Was” may be found in:
8 pages including the following types of information: history, lyric analysis, music analysis and song lyrics. (Book includes CD).
1 paragraph including the following types of information: history and performers.
3 paragraphs including the following types of information: music analysis.
1 paragraph including the following types of information: summary.
Includes the following types of information: song lyrics.
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