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Pennies from Heaven (1936)

Origin and Chart Information
“Crosby’s gamble paid off handsomely. His recording was featured on the radio show Your Hit Parade for over 13 weeks.”

- JW

Rank 81
Music

Arthur Johnston

Lyrics Johnny Burke

Although under contract with Paramount Pictures at the time, Bing Crosby was occasionally allowed to make films with other studios. In 1936 Crosby took a chance and not only starred but invested some of his own money in the Columbia Pictures film, Pennies from Heaven.

 

Bing Crosby was a multi-talented star. His smooth baritone and relaxed delivery made him an instant hit as a (more...)

Pennies from Heaven was based on Katharine Leslie Moore’s novel, “The Peacock Feather” and adapted for the screen by Jo Swerling (Blood and Sand, Lifeboat, Leave Her to Heaven, It’s a Wonderful Life, Guys and Dolls). The story can be best described as a convoluted sequence of events. Before the plot is resolved the characters find themselves alternately in prison, on welfare, under arrest, in the hospital, or sent to an orphanage. The suggestion seems to be that no matter how bad things get all will turn out in the end, a message that struck a chord with a depression-weary audience.

While the film’s plot was right for the times, it was also musical numbers such as “Skeleton in the Closet” with Louis Armstrong that made it a modest success with filmgoers. It was the title song that garnered the movie’s only Academy Award nomination. Unfortunately it would lose out to “The Way You Look Tonight” by Jerome Kern and Dorothy Fields.

Crosby’s gamble paid off handsomely. His recording of “Pennies from Heaven,” with Jimmy Dorsey and His Orchestra, was featured on the radio show Your Hit Parade for over 13 weeks. On the pop charts, “Pennies from Heaven” also did well:

In 1936

  • Bing Crosby with Jimmy Dorsey and His Orchestra (#1 for 10 weeks)
  • Hal Kemp and His Orchestra (#8)
  • Hildegarde (#16)
  • Jimmy Dorsey and His Orchestra (#19, Bob Eberle, vocal)

And in 1937

 

Chart information used by permission from
Joel Whitburn's Pop Memories 1890-1954

The songwriting team of Johnny Burke and Arthur Johnston wrote a number of songs, although Burke more often collaborated with Jimmy Van Heusen and Johnston with Sam Coslow.

 

Johnny Burke had his first big success with “Pennies from Heaven” (1936), written with Arthur Johnston and (more...)

 

Arthur Johnston was born in New York City and started out professionally playing piano for silent films. He would (more...)

Presumably Burke’s lyrics were written to evoke a sense of optimism in difficult times, assuring the listener that when it rains, “There’ll be pennies from heaven for you and me.” The introductory verse, however, casts a shadow across the optimistic chorus. It warns that we may pay penance for our ancestors’ lack of appreciation of the better things in life. Storms may bring us fortune, but with that fortune we must buy what we used to get for free.

In 1978 a six-part British Drama Series Pennies from Heaven aired on BBC-TV starring Bob Hoskins and Cheryl Campbell. Written by Dennis Potter, the story is even darker than the original, replacing the prison, welfare, orphanage, and hospital with infidelity, rape, murder, and prostitution. The avant-garde production drew critical and popular acclaim for its innovative use of song and dance numbers to depict the desires of the characters and society.

The 1981, MGM film, Pennies from Heaven, is a lavish adaptation of Dennis Potter’s BBC series starring Steve Martin and Bernadette Peters. It received widely mixed reviews and did little business at the box office.

Music and Lyrics Analysis

Musical analysis of “Pennies from Heaven”

Original Key C major
Form A1 – B – A2 – C
Tonality Major throughout
Movement Primarily steps and small, arpeggiated skips; repeated notes

Comments     (assumed background)

Originally, the harmonic progression was quite simple: I – II7 – V7 – I in the first “A” section and I7 – IV – VI7 – II7 – V7 in the “B” section. In the second “A,” the second II7 is replaced by IV, which leads into the iv – I – II7 – ii7 – V7 ending. Today jazz players are more inclined to use extended harmonies and chord substitutions. For example, the simple progression in the beginning is elaborated into I – iii – biii˚7 (vii˚7/V) – ii7 – V7(b9), while the secondary dominant is preceded by a minor 7th chord a fifth higher (Gm7 – C7 – F, rather than just C7 – F, for example), or the use of vi in place of or preceding II7.
K. J. McElrath - Musicologist for JazzStandards.com

Check out K. J. McElrath's book of Jazz Standards Guide Tone Lines at his web site (www.bardicle.com).
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Soundtrack Information
Pennies from Heaven” was included in these films:
  • Pennies from Heaven (1936, Bing Crosby)
  • Cruisin’ Down the River (1953, Dick Haymes)
  • From Here to Eternity (1954)
  • Picnic (1956, instrumental)
  • Pepe (1960, Bing Crosby)
  • Pennies from Heaven (1981, Arthur Tracy with Vernal Bagneris lip-synching)
  • Angela’s Ashes (1995, Billie Holiday)
  • Corrina, Corrina (2000, Billie Holiday)
Also on This Page...

Music & Lyrics Analysis
Musician's Comments
Soundtracks

Jazz History Notes
Also by the Same Writers...
Reading & Research

CD Recommendations for This Tune
Click on a CD for more details at Amazon.com
Frank Sinatra/Count Basie

Sinatra/Basie
1990, Warner Bros. 1008
Original recording, 1962, Reprise
Two heavyweights of swing get together for an inspired session. Sinatra sounds genuinely inspired and Basie pulls out all the stops.

Dave Brubeck Quartet

At Carnegie Hall
2001, Sony
Original recording, 1963
Considered one of the finest live recordings in any musical genre, this album features an intense delivery of the song. The quartet is tight-knit and the energy is infectious.

Joel Frahm

Sorry No Decaf
1999, Palmetto 2043
Saxophonist Frahm delivers a quirky new take on the song that allows the quartet to explore without losing the inherent personality of the original.

Oscar Peterson Trio

On the Town
Verve 314543834
Original recording, 1958
The incomparable trio of Peterson at piano, Herb Ellis on guitar, and Ray Brown on bass struts through a live version of the song.
Jazz History Notes

Many jazzmen have pet tunes that they enjoy playing regularly. Looking through a discography, one might find an artist recording several versions of a number over the span of a career. Such was the case with Lester Young and the tune “Pennies from Heaven.”

Lester was on board with the Count Basie band for their first recording session for Decca Records in 1937, when they laid down a swinging version of tune. The record was primarily a feature for vocalist Jimmy Rushing and Young was not featured. However, he started playing the tune with his own group in the 1940s, recording a version in 1950 and then twice in 1956 on a series of live recordings made of his quartet in Washington, D.C.

Chris Tyle - Jazz Musician and Historian


Count Basie

Complete Decca Recordings
Verve 611

Lester Young

Complete Savoy Recordings
Savoy Jazz 17122

Lester Young

Lester Young in Washington, DC, 1956, Vol 4
Original Jazz Classics 963
Written by the Same Composer or Team...
This section shows the jazz standards written by the same writing team. Click on a name to see all of a writer's jazz standards.

Johnny Burke and Arthur Johnston

YearRankTitle
193681Pennies from Heaven
Reading and Research

Additional information on “Pennies from Heaven” may be found in:


1 paragraph including the following types of information: film productions, summary and performers.

5 paragraphs including the following types of information: film productions, history and performers.

Includes the following types of information: song lyrics.

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