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Avalon (1920)

Origin and Chart Information
“’Avalon’ is practically an advertisement for the resort town on Catalina Island off the coast of California which was a popular resort destination for the film community of Hollywood.”

- Chris Tyle

Rank 109
Words and Music Al Jolson
BG De Sylva
Vincent Rose

Vocalist Al Jolson premiered this number in 1920, and it scored two positions on the charts the following year:

  • Al Jolson (1921, vocal, #2)
  • Art Hickman and His Orchestra (1921, #11)

 

Chart information used by permission from
Joel Whitburn's Pop Memories 1890-1954
 

From his first hit record in 1912 until the decline of his career in the 1930s, almost anything Jolson performed turned to gold. Just his name associated with a song almost guaranteed success. Jolson was one of the first artists to capitalize on his popularity, cutting in on composer credits and royalties--hence the reason Jolson gets top billing on the credits to “Avalon.”

 

More on Al Jolson at JazzBiographies.com
 

Most likely Vincent Rose deserves credit for the music, but not completely. The opening melody of the tune is actually a lift from Giacomo Puccini’s aria “E Lucevan Le Stelle,” from the opera Tosca. Rose merely changed the melody from minor to major and added some melody bits of his own. But it was an obvious enough lift that Puccini’s publishers, G. Rocordi, sued the composers and the publisher in 1921 and were awarded $25,000 in punitive damages and all future royalties.

 

More on Vincent Rose at JazzBiographies.com
 

 

More on BG De Sylva at JazzBiographies.com
 

The original music shows only the names of Jolson and Rose. At some point in time DeSylva’s name was added. It is possible that he did have a hand in the lyrics, as he wrote lyrics to many of the songs performed by and purportedly composed by Jolson.

Avalon” is practically an advertisement for the resort town on Catalina Island off the coast of California which was a popular resort destination for the film community of Hollywood. The song not only relates missing the place “beside the bay” but dreaming “from dusk ‘til dawn” of someone left behind. One of the cleverest parts of the lyric is the rhyme “I’ll have to travel-on, to Av-a-lon.”

Chris Tyle - Jazz Musician and Historian

Music and Lyrics Analysis

Musical analysis of “Avalon”

Original KeyF major
FormA - B or A1 - B - A2 - C, depending on whether one considers the phrases as being 8 or 16 measures long.
TonalityPrimarily major
MovementPrimarily scale-wise ascending, with some wide leaps (4th- 6th) in both directions.

Comments     (assumed background)

Based on an operatic aria by Puccini, the melody is a classic example of “call and response”; the call is the ascending and descending scale pattern in mm. 1-4, 9-12, 17-20 and 25-28, each instance followed by wide leaps on sustained pitches. Rhythmically, the melody moves slowly. For this reason, it is usually played at a break-neck tempo. Because of the slow harmonic and melodic rhythm, it gives players opportunities to explore improvisational ideas without worrying about quick chord changes.
K. J. McElrath - Musicologist for JazzStandards.com

Check out K. J. McElrath’s book of Jazz Standards Guide Tone Lines at his web site (www.bardicle.com).
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Music & Lyrics Analysis
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Jazz History Notes
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Reading & Research

CD Recommendations for This Tune
Click on a CD for more details at Amazon.com
Pearl Django

Avalon
2000 Modern Hot Records
Joy is inherent in the sound of this group that takes its cue from the work of Django Rinehart/Stephane Grappelli and brings it into the 21st century. Their delight is infectious.

James Carter

Chasin’ the Gypsy
2000 Atlantic 83304
Carter’s robust saxophone muscles its way through some red-hot gypsy swing. He blows with abandon while trading fours with exquisite violinist (and cousin) Regina Carter.

John Pizzarelli

Our Love Is Here to Stay
1997 RCA Records 67501
Guitarist Pizzarelli does a nice job with the lyrics on this recording, but it is when he gets down to finger-pickin’ with the big band ascending behind him that the song really soars.

Art Pepper

Landscape
1991 OJC 676
Original recording 1979
Altoist Pepper is featured in this Tokyo concert with his favorite pianist George Cables (who delivers a fine solo), bassist Tony Dumas, and drummer Billy Higgins. All-around good fun.

Harry Connick Jr

20
1988 Columbia 44369
Alone at the piano, Connick slows down the pace to an easy-going mid-tempo, accommodating an interpretation that infuses gypsy sensibilities with a New Orleans spirit.
Jazz History

Cab Calloway’s record from 1934 features a snappy arrangement with some Benny Carter-like saxophone writing (uncredited but possibly by saxophonist Eddie Barefield). After Calloway’s vapid vocal there’s an interesting half chorus of fours between Walter “Foots” Thomas on flute and Morris White on guitar, a trumpet solo on the bridge by Doc Cheatham, and more flute by “Foots.”

Tenor saxophonist Coleman Hawkins, on a busman’s holiday in Europe, joined forces with guitarist Django Reinhardt for a swinging outing on “Avalon” in 1935, accompanied by violinist Michel Warlop’s Orchestra.

Talented trombonist/guitarist/arranger Eddie Durham contributed his arrangement of “Avalon” to the classy Jimmie Lunceford Orchestra, which waxed it in 1935.

One of the most exciting moments from Benny Goodman’s 1938 Carnegie Hall concert was the Goodman Quartet’s smoking rendition of “Avalon” featuring pianist Teddy Wilson, Lionel Hampton on vibes, and Goodman’s hot clarinet.

Chris Tyle - Jazz Musician and Historian


Cab Calloway

1932-1934
Classics 544

Django Reinhardt

And His American Friends
DRG8493

Jimmie Lunceford

Lunceford Masterpieces Vol. 9
EPM Musique 158242

Benny Goodman

The Famous 1938 Carnegie Hall Jazz Concert
Sony 65143
Written by the Same Composer or Team...
This section shows the jazz standards written by the same writing team. Click on a name to see all of a writer's jazz standards.

B G DeSylva, Al Jolson and Vincent Rose

YearRankTitle
1920109Avalon
Reading and Research
Additional information on “Avalon” may be found in:

2 pages including the following types of information: music analysis, performers and jazz solo transcription.

1 paragraph including the following types of information: history.

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