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East of the Sun (and West of the Moon) (1934)

Origin and Chart Information
“It’s likely Brooks Bowman came up with the title from a Norwegian fairy tale where a prince and his step-mother live ‘east of the sun and west of the moon.’”

- Chris Tyle

AKAEast of the Sun
Rank 125
Words and Music Brooks Bowman

This standard had a modest introduction as part of Princeton University’s Triangle Club production Stags at Bay in 1934. A west coast dance band recording of the tune landed number one in the charts the following year:

Tom Coakley and His Orchestra (1935, Carl Ravazza, vocal, #1)

 

Chart information used by permission from
Joel Whitburn's Pop Memories 1890-1954
 

The Triangle Club was the successor to the Princeton College Dramatic Association, founded in 1883. The Club staged a production every academic year, and for the 1934-35 show, Princeton student Brooks Bowman (class of 1936) composed the music, which in addition to “East of the Sun” featured “Will Love Find a Way?” and “Love and a Dime.” The show garnered positive reviews while on tour and culminated with two sold-out performances in New York.

 

More on Brooks Bowman at JazzBiographies.com
 

Tom Coakley had a popular, California-based dance band. In 1934 they were playing the Rose Room at the Palace Hotel in San Francisco, recording and being featured on live radio broadcasts. As a result they did a coast-to-coast tour in 1935, the year they recorded “East of the Sun.” In January, 1936, they returned to San Francisco and an engagement at the Hotel St. Francis.

Bandleader Hal Kemp recorded Bowman’s “Love and a Dime” and Will Love Find a Way?” for Brunswick Records in 1934. Although it appears he didn’t record “East of the Sun,” references abound in print and on the internet that he did. A listing of Brunswick releases of Kemp’s band from 1934-1936 shows only the two titles.

Probably the most famous pre-World War II recording was by trombonist Tommy Dorsey’s Orchestra in April, 1940, featuring his new vocalist, Frank Sinatra. Based along the lines of Dorsey’s earlier successes with “Marie” and “Who,” the recording features a call-and-response vocal between Sinatra and the band. A high point on the record is a marvelous trumpet solo by Bunny Berigan.

It’s likely Brooks Bowman came up with the title from a Norwegian fairy tale where a prince and his step-mother live “east of the sun and west of the moon.” The tune’s lyrics have a fairy tale quality, beginning with the seldom-performed verse: “I wish that we could live up in the sky, to live among the stars, the moon, just you and I.” In the chorus the couple will “live in a lovely way, on love and pale moonlight.” The tune is a romantic ballad that continues to find favor with vocalists and instrumentalists alike.

Chris Tyle - Jazz Musician and Historian

Music and Lyrics Analysis

Musical analysis of “East of the Sun (and West of the Moon)”

Original KeyG major
FormA - B - A - C with a 4-measure extension
TonalityPrimarily major
MovementGenerally skips (3rds, 4ths) and leaps (5ths and larger); some stepwise movement between phrases. Fairly balanced between ascending and descending motion.

Comments     (assumed background)

The harmonic progression in the opening eight measures of “A” is similar to “rhythm changes,” except that the changes have been stretched out and a iii7 chord inserted before the VI7 (V7/ii). In “B” the composer plays with a number of ii7-V7 cadences in different tonalities. However unusual for the time, they are not random; every chord in this section shares one or more common tones with the chord following it. The only place in the song in which a chordal sequence is followed by an unrelated one occurs at the end of “C,” just before the extension, where a G major chord is followed by Bbm7 and Eb7 -a ii7-V7 cadence in Ab that resolves deceptively to A minor.
K. J. McElrath - Musicologist for JazzStandards.com

Check out K. J. McElrath’s book of Jazz Standards Guide Tone Lines at his web site (www.bardicle.com).
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Reading & Research

CD Recommendations for This Tune
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Diana Krall

When I Look in Your Eyes
1999 Impulse! 304
Pianist/vocalist Krall introduced the song to a whole new generation with this introspective, sensual reading that balances the earthiness of Krall’s voice with the bright guitar play of Russell Malone.

Cyrus Chestnut

Earth Stories
1996 Atlantic Jazz 82876
Pianist Chestnut delivers a warm and elegant reading in which his playing, sometimes soft, sometimes authoritative, dances over an unobtrusive rhythm section.

Earl Hines/Joe Venuti

Hot Sonatas
1999 Chiaroscuro 145
Original recording 1975
When two veteran swingers get together the results are wonderfully surprising. At times pianist Hines seems to be infusing a flavor of ragtime as Venuti’s violin takes on a classical sound.

Joel Frahm/Brad Mehldau

Don’t Explain
2004 Palmetto Records
The long-standing friendship of saxophonist Frahm and pianist Mehldau is apparent in their interactive interpretation of this lovely standard.

Charles Lloyd

Forest Flower & Soundtrack
1994 Atlantic/WEA 71746
Original recording 1967
Saxophonist Lloyd takes the tune at a frantic pace, which may not be to everyone’s taste, but his version illustrates the endless possibilities offered by a great tune. The recording is from a live concert at the Monterey Festival with his young and then unknown pianist Keith Jarrett and drummer Jack De Johnette.
Jazz History

There are critics who find the string arrangements for alto saxophonist Charlie Parker’s recordings pedestrian; yet Bird’s album is a classic and his playing, which could be erratic at times, is marvelous. On “East of the Sun” from 1950 Parker soars over the orchestra on Joe Lippman’s arrangement.

Tenor saxophonist John Haley “Zoot” Sims, who rose to prominence with Woody Herman’s Herd, had a marvelous style loosely based on the work of Lester Young, but, like many of the Young inspired tenors, he found his own voice. Zoot’s version of “East of the Sun” from 1951 is outstanding: eleven-plus minutes of swinging, highly-listenable jazz.

Multi-instrumentalist Bud Shank, with Howard Rumsey’s Lighthouse All-Stars on a session from 1955, is the featured horn on “East of the Sun” and he acquits himself superbly.

Chris Tyle - Jazz Musician and Historian


Charlie Parker

Complete Verve Masters With Strings
Definitive Classics 11185

Zoot Sims

Quartets
Original Jazz Classics 242


Howard Rumsey’s Lighthouse All-Stars Vol. 6
Fantasy 386
Written by the Same Composer or Team...
This section shows the jazz standards written by the same writing team. Click on a name to see all of a writer's jazz standards.

Brooks Bowman

YearRankTitle
1934125East of the Sun (and West of the Moon)
Reading and Research
Additional information on “East of the Sun (and West of the Moon)” may be found in:

1 page including the following types of information: music analysis.

1 paragraph including the following types of information: history and performers.

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