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My Melancholy Baby (1911)

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Origin and Chart Information
“...well-written melody, highly unusual for the time, and certainly not a piece of hack work.”

- Alec Wilder

Rank 164
Music Ernie Burnett
Lyrics George A. Norton

This song was likely introduced by vaudeville performer Jack O’Leary, known as “That Singer,” who is pictured on the original sheet music. A 1915 recording by vaudeville stage actor/vocalist Walter Van Brunt became a popular hit. The song has charted several times over the years:


Chart information used by permission from
Joel Whitburn's Pop Memories 1890-1954

The original title for “My Melancholy Baby” was “Melancholy.” It was copyrighted in 1911 with music by Ernie Burnett and lyrics by Maybelle Watson, Burnett’s wife. Burnett sold the piece to Theron C. Bennett, music publishers who liked the song but not the lyrics. George A. Norton, a composer and lyricist, wrote new lyrics, and the song was published in 1912 with a dedication to “Miss Maybelle Watson of Berkeley, California.” That same year, the copyright was transferred to Joe Morris Music using the title “My Melancholy Baby.” During the 1930s, Miss Watson’s name found its way onto the music as co-lyricist, but the ASCAP website now lists only Burnett and Norton.

To add even more intrigue, Ben Light, a pianist who recorded a number of successful albums in the 1950s, claimed he had written the music, although he would have been a teenager in 1911. Composer Burnett wrote a follow-up in 1938 entitled “I Married My Melancholy Baby.”


More on George A. Norton at JazzBiographies.com

More on Ernie Burnett at JazzBiographies.com

Alec Wilder, author of American Popular Song: The Great Innovators 1900-1950, expresses how impressed he was with the “well-written melody, highly unusual for the time, and certainly not a piece of hack work.”

Vocalist/composer Tommy Lyman, a cabaret and radio artist of the 1920s and ‘30s, is credited with first using the term “torch song” when introducing his version of “My Melancholy Baby.” The tune had a brisk comeback in 1927 with a hit recording by vocalist Gene Austin and recordings by groups such as Paul Whiteman and His Orchestra, the Charleston Chasers, the Dorsey Brothers’ Orchestra, and clarinetist Jimmie Noone.

Bandleader Isham Jones brought the tune back in 1934, and English vocalist Al Bowlly had success on both sides of the Atlantic with his version from 1935. Since that time the tune has been recorded by a significant number of artists from Steve Allen to Ray Charles, Bill Evans to Burl Ives, and Thelonious Monk to Jerry Vale.

More information on this tune...

Thomas S. Hischak
The Tin Pan Alley Song Encyclopedia
Greenwood Press
Hardcover: 552 pages

(In his encyclopedia Hischak discusses the style and history of the song and lists its performers and the films in which it has appeared.)

Chris Tyle - Jazz Musician and Historian

Recommendations for This Tune
Click on any CD for more details at Amazon.com
Jimmie Lunceford
Life is Fine (Quadromania)
Original Recording 1938

Vocalist Dan Grissom takes center stage on this classic Lunceford arrangement, but the real star is arranger by Edwin Wilcox, whose sophisticated arrangement culminates in a fabulous saxophone soli

Ray Charles
The Great Ray Charles
Warner Music France
Original recording 1956

Though best known for his singing, Ray Charles’ offers an instrumental performance here, contributing a swinging solo on piano as well as co-arranging with Quincy Jones. Saxophonist David “Fathead” Newman is prominently featured as well.

Coleman Hawkins
Genius of Coleman Hawkins
Polygram Records
Original recording 1957

This performance builds steam over time thanks to the swinging rhythm section playing of Oscar Peterson’s quartet. Hawkins himself contributes an inventive, husky-toned solo on tenor saxophone.

Lee Konitz, Bill Evans
Live at the Half Note
Polygram Records
Original recording 1959

Recorded live at the Half Note in New York, alto saxophonist Konitz and his all-star band swing like mad on this crackling performance. Drummer Paul Motian is heard at his most swinging, and there are powerhouse solos by Konitz, tenor saxophonist Warne Marsh and pianist Bill Evans

Dave Mckenna
Dave Fingers Mckenna
Chiaroscuro Records
Original recording 1977

Dave McKenna treats “My Melancholy Baby” to one of his characteristic solo piano arrangements, moving from slow, relaxed stride to remarkably swinging walking bass lines with his left hand.


- Noah Baerman

Dave Brubeck Quartet/Jimmy Rushing
Brubeck & Rushing
1998 Legacy Recordings 65727
Original recording 1960
Pianist Brubeck conjures up a pleasant study in contrasts as he introduces the husky, blues-infused voice of Jimmy Rushing to the honey rich tone of Paul Desmond’s alto saxophone.
Lou Donaldson
A Man with a Horn
1999 Blue Note 21436
Original recording 1961
Saxophonist Donaldson swings through a toe-tapping version of the song that is augmented by the prodigious talents of Grant Green on guitar and Jack McDuff at the organ.
Rebecca Kilgore, Dave Frishberg
Not a Care in the World
Arbors Records

Kilgore’s voice is pure, rich, and smooth as cream. She prefers the old songs, and she sings them here with composer/pianist/vocalist extraordinaire Dave Frishberg who sticks to the keys on this date. Kilgore picks up her guitar for additional accompaniment on this cut.

- Ben Maycock

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