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William Grant Still, who now is getting a great deal of well-deserved recognition as a pioneering African-American orchestral composer, arranged Red Nichols’ 1928 version of this tune, which includes some nice solos by Nichols (cornet), Dudley Fosdick (mellophone), and Fud Livingston (clarinet). Ten years later, another cornetist, Bobby Hackett, recorded a lyrical version of the tune with a small band that included Pee Wee Russell on clarinet and Brad Gowans on valve trombone. Benny Goodman seems to have had a fondness for the number, recording in 1935 with his first big band, then again in 1940 with his sextet (which included Lionel Hampton on vibes and Charlie Christian on electric guitar), and almost a dozen times more.
Chris Tyle - Jazz Musician and Historian
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