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Since I Fell for You (1945)

Origin and Chart Information
An “excellent example” of a “blues ballad....”

- Ira Gitler

Rank 197
Words and Music Woodrow Wilson Johnson

Pianist/bandleader Woodrow Wilson “Buddy” Johnson wrote both the music and lyrics for “Since I Fell for You” in 1945 and introduced it with his sister Ella on vocals.

 

More on Woodrow Wilson Johnson at JazzBiographies.com
 

The song charted twice, first in 1947 with pianist Paul Gayten and His Trio featuring vocalist Annie Laurie and again in 1963 when pop/R&B singer Lenny Welch’s smooth rendition made it to number four. Country and Western singer Charlie Rich had a hit with it in 1976.

 

Chart information used by permission from
Joel Whitburn's Pop Memories 1890-1954
 

Johnson’s jump blues band, which played the Savoy Ballroom, was popular throughout the decade of the ‘40s. Ella Johnson, who joined the band in her teens, was a seductive singer of great warmth who was favorably compared to both Ella Fitzgerald and Billie Holiday.

Buddy’s composition with its bluesy lyrics, “Love brings such misery and pain, I guess I’ll never be the same, since I fell for you,” is that rare song that attracted musicians of all persuasions--pop, jazz, country, and blues. It was a particular favorite of vocalists. Dinah Washington recorded it in 1947, Julie London in 1964, Shirley Horn in 1987, and Etta Jones in 1998. It was also performed by singers as diverse and Eartha Kitt, Mel Torme, Gladys Knight, Big Mama Thornton, Barbra Streisand, Aaron Neville, and recently Kevin Mahogany.

Jazz trumpeter Lee Morgan included the song in his album Candy, and it was recorded by the Count Basie band, organist Jimmy Smith, and trombonist Steve Turre. In the liner notes to Stanley Turrentine’s album with the Three Sounds, jazz writer Ira Gitler calls the song an “excellent example” of a “blues ballad” because it combines the warmth of the blues with romantic elements from popular song, a sure-fire recipe for continuing popularity.

- Sandra Burlingame

Music and Lyrics Analysis

Musical analysis of “Since I Fell for You”

Original KeyEb major
FormA - A - B - A
TonalityGenerally major but with a strong modal tonality due to altered tones and blue notes; “B” actually alternates between the tonic and its parallel minor
MovementIn classic “call and response,” “A” consists of a sustained pitch followed by arpeggiated, eighth note passages; “B” is based on a minor form of the blues scale.

Comments     (assumed background)

This ballad is not a “blues” in the strict sense. However, the mournful quality of the melody with its altered pitches is reminiscent of a “blues” song. In many places, a given chord goes to its parallel minor or major. This is sometimes ignored by current performers; the tune is best played with its original changes.
K. J. McElrath - Musicologist for JazzStandards.com

Check out K. J. McElrath’s book of Jazz Standards Guide Tone Lines at his web site (www.bardicle.com).
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Music & Lyrics Analysis
Musician's Comments

Jazz History Notes
Also by the Same Writers...
Reading & Research

CD Recommendations for This Tune
Click on a CD for more details at Amazon.com
Andy Bey & The Bey Sisters

Andy Bey & The Bey Sisters
2000 Prestige Records 24245
Original recording 1965
Andy’s rich, mellow voice takes the lead while Geraldine and Salome fill out the sound with bluesy-gospel harmonies on this melancholy lament.

Ray Bryant

Soul
1996 Collectables 5754
Original recording 1965
Bryant plays this one as a straight-ahead blues, hitting the piano keys with robust authority and throwing in a few stride embellishments.

Lee Morgan

Candy
1990 Blue Note 46508
Original recording 1958
Although this romantic, elegant, and emotionally charged recording was made very early in his career, Morgan’s horn is the crystalline instrument of a veteran.

Ernie Andrews/Cannonball Adderley

Live Session!
2004 Blue Note Records
Original Recording 1965
The singer and saxophonist are really well matched because they get into the heart and soul of the music. There’s an irresistible swagger to Andrews’ style` and Adderley’s sensual alto lines provide the perfect swinging counterpoint.
Jazz History

Brilliant young trumpeter Lee Morgan was the first jazz instrumentalist to record this tune in 1957. It was especially popular with female vocalists such as Dinah Washington, Etta James, and Eartha Kitt. Morgan’s version reflects the vocalists’ bluesy feeling, however, and he turns in a brooding performance.

A member of trumpeter Miles Davis’ Quintet along with John Coltrane, pianist Red Garland recorded a trio session in 1958 that includes Miles’ bassist Paul Chambers. Garland digs into Buddy Johnson’s tune and creates a scintillating groove.

1959 was a busy year for tenor saxophonist Coleman Hawkins. Entering his fifth decade as a professional performer, he made appearances at the Newport, Monterey and Playboy Jazz Festivals, a Timex Jazz TV special, and ten albums. His blustery solo with the Prestige Blues Swingers on “Since I Fell for You” mixes languid blues phrases with torrid, double-timed cascades of technique.

Chris Tyle - Jazz Musician and Historian


Lee Morgan

The Best of Lee Morgan
Blue Note Records 91138

Red Garland

It’s a Blue World
Original Jazz Classics 1028

Coleman Hawkins

Bean and the Boys
Prestige 24124
Written by the Same Composer or Team...
This section shows the jazz standards written by the same writing team. Click on a name to see all of a writer's jazz standards.

Woodrow Buddy Johnson

YearRankTitle
1948197Since I Fell for You
Reading and Research
Additional information on “Since I Fell for You” may be found in:

1 paragraph including the following types of information: history and performers.

8 pages including the following types of information: music analysis and sheet music.

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