| “For a tune that became a hot, swing era specialty, the John Kirby Band’s version from 1938 premiered trumpeter Charlie Shavers’ tune in a rather subdued manner.” |
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- Chris Tyle
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The 1930s and ‘40s were dominated by big swing and dance bands capable of filling the many large ballrooms across America. But a significant number of nightclubs required smaller ensembles, especially in cities like New York and Chicago. One of these diminutive venues was the Onyx Club on New York’s 52nd Street which came to be known as “Swing Street” for its many small jazz clubs. Swinging violinist Stuff Smith’s group packed the club during 1936 and early 1937, only leaving the gig for a Hollywood movie appearance.
Bassist John Kirby, a veteran of the bands of Chick Webb and Fletcher Henderson, assembled a small group to take Smith’s place at the Onyx. The group basically existed as a jam band until November, 1937, when trumpeter Charlie Shavers joined. Shavers, a big band veteran and arranger, began whipping the musicians into a tightly integrated ensemble, playing arrangements of everything from popular songs to interpretations of classics. Shavers also began composing originals, one of which was sent off to his publisher. Receiving the untitled composition the publishers wired Shavers for the name. Shavers’ brief wired response was “UNDECIDED,” which they mistakenly took to be the title. Sid Robin wrote lyrics for the melody, basing them on a tempo that was half of what Shavers had intended. Robin’s lyrics work cleverly around the tune’s repeated melody, telling the story of an on-again, off-again relationship. The tune suited Ella Fitzgerald’s early style perfectly, as though Robin had her in mind when writing the lyrics.
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The tune was recorded by a number of groups in the year following its initial release. Two made the charts:
- Chick Webb’s Orchestra (1939, Ella Fitzgerald, vocal, #8)
- John Kirby and His Onyx Club Boys (1939, instrumental, #19) (the only recording by Kirby to hit the charts)
The Kirby band’s greatest success followed the record’s success, and soon the group was appearing in white tuxedos at such posh venues as New York’s Waldorf-Astoria Hotel. Kirby’s band was hard hit by World War II enlistments, and Shavers left in 1945 to join Tommy Dorsey’s Orchestra.
“Undecided” was a popular jazz vehicle throughout the 1940s and ‘50s. Surprisingly, in 1951 it almost hit #1 in the charts:
- Ames Brothers (1951, vocal, #2)
- Ray Anthony and His Orchestra (1951, Gloria Craig and the Skyliners, vocal, #10)
- Guy Lombardo and His Royal Canadians (1951, instrumental, #28)
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Chris Tyle - Jazz Musician and Historian
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Musical analysis of “Undecided” | | Original Key | C major | | Form | A - A - B - A | | Tonality | Major throughout | | Movement | Primarily stepwise with some skips; occasional altered pitches and chromaticism lend a “bluesy” sound to the melody. | Comments (assumed background) | | A highly repetitive tune in which two different motivic figures (one in “A” and one in “B”) are played several times over shifting harmonies, suggesting that this piece originated as a background “riff” for something else. Chord progression of “A” is a fairly standard I - IV - V7 (embellished with a secondary dominant in mm. 6-7). “B” is a circle of fifths progression starting with V7/IV (C7 in the original). The first four measures of “B” could almost be construed as a false key change to the subdominant, if only for four measures. | K. J. McElrath - Musicologist for JazzStandards.com
Check out K. J. McElrath’s book of Jazz Standards Guide Tone Lines at his web site (www.bardicle.com). |
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Dee Dee Bridgewater
Dear Ella
1997 Verve 314537896 Original recording 1997
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In a wonderful off-tempo, bebop reading of the song, Bridgewater starts off slow and easy and then builds momentum. The orchestra rises and falls as her vocals dictate. Bridgewater also covers the song on Live at Yoshi’s but at a faster pace.
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Charlie Byrd/Barney Kessel/Herb Ellis
Great Guitars
1988 Concord Jazz 6004 Original recording 1974
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This is a live performance from the ultimate guitar summit. There’s a gentle rivalry as all three guitarists pitch in on this one, providing straight readings and polished solos.
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Cal Tjader
Black Orchid
1993 Fantasy Records 24730 Original recording 1954
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If it’s heavy percussion, accelerated tempo, and intense musicianship, it has to be vibes master Tjader. This Latin translation of the song moves like a freight train, all muscle and speed.
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Curtis Fuller
Blues-ette
2003 Savoy Jazz Original recording 1959
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Fuller’s trombone and Benny Golson’s tenor sax are a beautiful blend in the opening statement. With Tommy Flanagan on piano, Jimmy Garrison on bass, and Al Harewood on drums this is a fine quintet rendition of the song.
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For a tune that became a hot, swing era specialty, the John Kirby Band’s version from 1938 premiered trumpeter Charlie Shavers’ tune in a rather subdued manner. It didn’t take long for other groups to include the number in their repertoires, and cover versions were soon recorded by the Benny Goodman and Chick Webb Orchestras (the latter features a fine vocal by young Ella Fitzgerald). Shavers, the leader of an all-star group for Keynote Records from October, 1944, was obviously inspired by his company, which included Coleman Hawkins on tenor sax and Teddy Wilson on piano, all of whom turn in fine solos. Wilson would record the tune again with his own group the next month with Shavers. Roy Eldridge, a trumpeter who influenced Shavers, turned in a blistering version from a session recorded in Paris in 1950, along with masterful tenor saxophonist Zoot Sims and a fine French rhythm section.
Chris Tyle - Jazz Musician and Historian
John Kirby
John Kirby
Giants of Jazz (Italian) 53243
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| This section shows the jazz standards written by the same writing team. Click on a name to see all of a writer's jazz standards.
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Additional information on “Undecided” may be found in:
4 pages including the following types of information: history, performers and sheet music.
1 paragraph including the following types of information: history and performers.
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