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I'll Never Be the Same (1932)

Origin and Chart Information
A 1937 session led by pianist Teddy Wilson brings vocalist Billie Holiday and tenor saxophonist Lester Young together.

- Chris Tyle

Rank 210
Music Matt Malneck
Frank Signorelli
Lyrics Gus Kahn

Violinist and bandleader Matt (“Matty”) Malneck and Frank Signorelli, a pianist best known for organizing bands, worked together in Paul Whiteman’s Orchestra. They wrote an instrumental called “Little Buttercup” which was performed by the Whiteman band and recorded by violinist Joe Venuti. When Gus Kahn added lyrics to the tune it became “I’ll Never Be the Same” when it was introduced by vocalist Mildred Bailey in 1932.

 

More on Gus Kahn at JazzBiographies.com
 

The song charted twice in 1932: Guy Lombardo and His Royal Canadians took it to number eight, and the version by Paul Whiteman and His Orchestra with Mildred Bailey rose to number fourteen. It also became a staple in the repertoire of vocalist Ruth Etting, who also recorded it in 1932.

 

Chart information used by permission from
Joel Whitburn's Pop Memories 1890-1954
 

Malneck and Signorelli also wrote “Park Avenue Fantasy,” premiered by Whiteman in 1933, which became “Stairway to the Stars” when Mitchell Parish added lyrics and which was used as background music in the 1959 film Some Like It Hot. Malneck served as music director for the film in which Marilyn Monroe sang another of his songs, “I’m Through with Love” (1931) written with Gus Kahn and Jerry Livingston.

 

More on Matt Malneck at JazzBiographies.com
 

 

More on Frank Signorelli at JazzBiographies.com
 

Kahn’s lyric for “I’ll Never Be the Same” could be depressing in its outright sadness over lost love, but the melody written in the key of Eb offers hope in its major voicings. The phrases begin on a relative minor and resolve to a relative major:

I’ll never be the same
there is such an ache in my heart
never be the same
since we’re apart.

Vocalists who have recorded “I’ll Never Be the Same” include Billie Holiday, Sarah Vaughan, Frank Sinatra, Jeri Southern, and in 2004 Diana Krall. Instrumentalists who’ve covered it include saxophonist Coleman Hawkins, guitarist Martin Taylor, the Sun Ra Arkestra, vibraphonist Lionel Hampton, and most recently reed man James Carter and pianist Eddie Higgins, both in 2000.

- Sandra Burlingame

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Jazz History Notes
Also by the Same Writers...

Jazz History

Eddie Lang was the first jazz guitarist to record as a solo performer rather than as part of a band. On his 1928 recording of pianist Frank Signorelli’s pretty tune he’s accompanied by another pianist/composer, Rube Bloom. Lang was frequently the musical partner of violinist Joe Venuti whose 1931 recording features Lang, composer Signorelli, and clarinetist Jimmy Dorsey, a small but effective chamber group.

A 1937 session led by pianist Teddy Wilson brings vocalist Billie Holiday and tenor saxophonist Lester Young together. Although Young doesn’t solo on the cut, his obbligato to Holiday is a treasure as is leader Wilson’s solo and, of course, Holiday’s vocal.

Clarinetist Artie Shaw’s 1945 big band was a supercharged outfit laden with talented musicians such as exciting trumpeter Roy Eldridge and young lions Barney Kessel (guitar) and Dodo Marmaosa (piano). Trombonist Ray Coniff’s arrangement leaves ample room for solos by boss Shaw, Eldridge, Marmarosa, and tenor saxophonist Herbie Steward.

Chris Tyle - Jazz Musician and Historian


Eddie Lang

The New York Sessions 1926-1935
JSP Records 916

Joe Venuti

The New York Sessions 1926-1935
JSP Records 916

Billie Holiday/Teddy Wilson

Complete Billie Holiday-Lester Young 1937-1946. Fremeaux & Assoc
(French) 154

Artie Shaw

1944-45
Hep Records 70
Written by the Same Composer or Team...
This section shows the jazz standards written by the same writing team. Click on a name to see all of a writer's jazz standards.

Gus Kahn, Matt Malneck and Frank Signorelli

YearRankTitle
1932210I’ll Never Be the Same

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