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My Romance (1935)

Origin and Chart Information
“The musical opened with Paul Whiteman riding onto the stage on a white stallion and featured over a dozen circus acts...”

- JW

Rank 91
Music

Richard Rodgers

Lyrics Lorenz Hart

Donald Novis and Gloria Grafton introduced “My Romance” in the musical extravaganza, Jumbo. The show, starring Jimmy Durante, opened on November 16, 1935, at the massive Hippodrome Theater on 44th Street. Although it received excellent reviews, it ran for only 233 performances, managing to pay back just half of its record-breaking $344,000 production costs.

 

Donald Novis was born in England but pursued his singing/acting career in the United States. He sang with many big bands in the 1930’s (more...)

 

Gloria Grafton appeared in The Second Little Show in 1930, a follow-up to the successful The Little Show (1929). This new style revue approached (more...)

Donald Novis was a big band tenor who appeared in a number of films and sang the title track for Bambi, “Love Is a Song.” Gloria Grafton was a respected stage star and big band singer who dubbed for motion picture actresses such as Lucille Ball and Lana Turner. The Novis and Grafton recording of “My Romance,” with Paul Whiteman and His Orchestra, reached the 18th position on the pop charts for one week in 1936. While “My Romance” has been performed by most of the jazz greats, interestingly, it has gained most attention as the title track of a 1990 Carly Simon CD.

 

Chart information used by permission from
Joel Whitburn's Pop Memories 1890-1954

After spending several years in Hollywood (1932-1934) writing songs for musical motion pictures, Richard Rodgers was growing restless. According to David Ewen in Great Men of American Popular Song, the demands of the Hollywood studios were too intermittent, and Rodgers and Lorenz Hart were anxious to try out their visions for a new form of musical, that of a “musical play” instead of a “musical comedy.” Although writing the score for Billy Rose’s production of Jumbo was hardly what they had in mind, it was the ticket that facilitated their return to Broadway.

 

Richard Rodgers began composing at nine and became one of America’s most revered songwriters. His collaboration (more...)

 

Lorenz Hart, with his partner Richard Rodgers, wrote over 1,000 songs, many of them considered among the top (more...)

The Jumbo book was written by Ben Hecht and Charles MacArthur (The Front Page, Twentieth Century) and directed by George Abbott. The musical opened with Paul Whiteman riding onto the stage on a white stallion and featured over a dozen circus acts, including clowns, jugglers, girls shot from cannons, and high-wire acts. There were over 1000 animals, not the least of which was Jumbo the elephant. The Rodgers and Hart score included such hits as “Little Girl Blue,” “Why Can’t I?” “The Most Beautiful Girl in the World,” “The Circus Is on Parade,” “Over and Over Again,” and “My Romance.”

In his book on Broadway musicals of the 1930’s, Ring Bells! Sing Songs! Stanley Green comments, “Rodgers and Hart’s musical efforts for Jumbo won top honors of the year, even though Cole Porter’s Jubilee and George Gershwin’s Porgy and Bess had their champions (and their detractors).”

“My Romance” appeared in the 1962 film Billy Rose's Jumbo, a pet project of Doris Day and her then husband Martin Melcher. According to www.dorisday.net the song is considered a cornerstone of the production and is described as

…(Doris) sings the lovely ballad, “My Romance” to (Sam). The camera lingers lovingly on Doris’ face, which is partly shadowed by the dark… she finishes the song just in time to kiss her lover passionately. Very beautiful.

Although the cast included Day, Stephen Boyd, Martha Raye, Dean Jagger, and Jimmy Durante, the film was not a critical or box-office success. In his book The Melody Lingers On: The Great Songwriters and Their Movie Musicals, Roy Hemming says, “…Jumbo didn’t deserve to flop–and it remains unjustly underrated among MGM’s supermusicals of the ‘50s and early ‘60’s.” Hemming further said that audiences had perhaps had their fill of circus movies at that time.

Music and Lyrics Analysis

“My Romance” is almost never performed with the introductory verse. In American Popular Song: The Great Innovators, Alec Wilder says, “The verse of ’My Romance’ is, unexpectedly, disappointing and one of Rodgers’ very few that sound unrelated to the chorus.”

Hart’s lyrics are interesting in that nearly every line is framed as a negative statement. In the short, three-sentence verse there are the words “won’t,” “never,” “don’t,” and two “no’s” and two “not’s,” to convey the idea that “flow’ry fuss” is “not for us.” The first six lines of the refrain are an additional itemization of the things that are not necessary for “My romance,” including the moon, a blue lagoon, stars, guitars, a castle, and a dance. The seventh line makes the only positive statement,

“Wide awake I can make my most fantastic dreams come true,”

followed by the well-put closing,

“My romance doesn’t need a thing but you.”

-JW

Musical analysis of “My Romance”

Original Key C major (usually performed in Bb major today)
Form A – B – A – C
Tonality Primarily major
Movement “A” and “C” are based on an upward scale movement (“C” descends in the penultimate measure); “B” leaps back and forth between the fifth and the octave before a descending tetrachord from the upper tonic to the dominant and returning to the second “A”

Comments     (assumed background)

The way this is performed today differs significantly from Rodger’s original. Most modern players use an ascending I –ii – iii – VI7(b9) progression with a ii – V7 – I turnaround for the opening measures and several substitutions in the remainder. One of the most significant and effective changes is toward the end in mm 4–3 of section “C” (“I can make my most fantastic dreams come true”). Originally, Rodgers wrote III7 – VI7 in measure 3 and II7 in measure 4. Today, most players use viiψ – III7 in measure 3 and vi – iv in measure 4. In the original key, Rodgers’ designation was E7 – A7 – D7; the modern version is Bm7(b5) – E7(b9) – Am – Fm7.
K. J. McElrath - Musicologist for JazzStandards.com

Check out K. J. McElrath's book of Jazz Standards Guide Tone Lines at his web site (www.bardicle.com).
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Soundtrack Information
My Romance” was included in these films:
  • Billy Rose's Jumbo (1962, Doris Day)
  • Brotherly Love (1970)

And on the stage:

  • Jumbo (1935, Donald Novis and Gloria Grafton)
Also on This Page...

Music & Lyrics Analysis
Musician's Comments
Soundtracks

Jazz History Notes
Also by the Same Writers...
Reading & Research

CD Recommendations for This Tune
Click on a CD for more details at Amazon.com
Kevin Mahogany

My Romance
1998, Warner Bros. 47025
The title track of this album is a rich, subtle version from the jazz vocalist. Sung in straight-ahead style, he projects depth and emotion.

Bill Evans

Waltz for Debby
1990, Original Jazz Classics 210
Original recording, 1961
The piano trio gives us two different explorations of the song, at times becoming quite intimate, in this live performance at the Village Vanguard.

Art Blakey

Get the Message
1995, Drive Archive 41084
Original recording, 1966
This version is of interest not only for drummer Blakey’s interpretation of the song but for the lineup. Trumpeter Chuck Mangione shows he has the chops for hard bop, and a 21-year-old Keith Jarrett shows flashes of the genius he would become.

Oliver Jones

Have Fingers, Will Travel
1997, Justin Time Records 102
The song allows Canadian pianist Oliver Jones to showcase his technical virtuosity and warm style. At times one can hear shades of his gospel background.

Milt Jackson Quartet

Soul Route
1991, Pablo 2310900
Original recording, 1983
The vibraphonist, in the company of Ray Brown, Mickey Roker, and Gene Harris, takes a soulful look at the standard.
Jazz History Notes

During the heyday of hard bop and cool West Coast jazz in the 1950s, a young musician emerged whose roots were firmly in the music of the previous generation. Cornetist Ruby Braff, born in Boston in 1927, surprised the jazz cognoscenti with his masterful playing and his “adoration of the melody” approach to jazz playing.

Strange as it may seem, “My Romance” seems to have been overlooked until two recordings with Braff. The first, accompanying vocalist Lee Wiley, was in 1954. The second, a duet with pianist Ellis Larkins, was in 1955. The latter is especially enjoyable as Braff and Larkins have a special rapport and create some wonderful music together.

Chris Tyle - Jazz Musician and Historian


Lee Wiley

Complete Fifties Studio Masters
Jazz Factory Spain 22811

Ellis Larkins and Ruby Braff

Duets, Volume 1
Vanguard Records 79609
Written by the Same Composer or Team...
This section shows the jazz standards written by the same writing team. Click on a name to see all of a writer's jazz standards.

Lorenz Hart and Richard Rodgers

YearRankTitle
19376“My Funny Valentine”
193982“I Didn’t Know What Time It Was”
193591“My Romance”
193494“Blue Moon”
1932118“Lover”
1938123“This Can’t Be Love”
1935124“Little Girl Blue”
1940181“It Never Entered My Mind”
1937208“Where or When”
1937222“Have You Met Miss Jones”
1938228“Spring Is Here”
1927246“My Heart Stood Still”
1927278“Thou Swell”
1936284“There’s a Small Hotel”
1938289“Falling in Love with Love”
1928310“You Took Advantage of Me”
1941335“Bewitched”
1937336“The Lady Is a Tramp”
1932337“Isn’t It Romantic”
1926429“Blue Room”
1932449“You Are Too Beautiful”
1940455“I Could Write a Book”
1925489“Manhattan”
1935527“It’s Easy to Remember (and so Hard to Forget)”
1929536“With a Song in My Heart”
1930671“Dancing on the Ceiling”
1936825“Glad to Be Unhappy”
1942842“Ev’rything I’ve Got (Belongs to You)”
1942908“Wait Till You See Her”
Reading and Research

Additional information on “My Romance” may be found in:


2 paragraphs including the following types of information: music analysis.

1 paragraph including the following types of information: summary.

1 paragraph including the following types of information: history and performers.

Includes the following types of information: song lyrics.

1 paragraph including the following types of information: music analysis.

1 paragraph including the following types of information: lyric analysis.

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