|
“The musical opened
with Paul Whiteman riding onto the
stage on a white stallion and featured
over a dozen circus acts...” |
|
 |
|
- JW
|
|
|
|
Donald
Novis and
Gloria Grafton introduced “My
Romance” in the musical extravaganza,
Jumbo. The show, starring
Jimmy Durante, opened on November
16, 1935, at the massive Hippodrome
Theater on 44th Street.
Although it received excellent reviews,
it ran for only 233 performances,
managing to pay back just half of
its record-breaking $344,000 production
costs.
|
| |
|
|
| |
|
Donald Novis was a big band
tenor who appeared in a number of
films and sang the title track for
Bambi, “Love Is a Song.”
Gloria Grafton was a respected
stage star and big band singer who
dubbed for motion picture actresses
such as Lucille Ball and Lana Turner.
The Novis and Grafton recording
of “My Romance,” with
Paul Whiteman and His Orchestra,
reached the 18th position
on the pop charts for one week in
1936. While “My Romance” has been
performed by most of the jazz greats,
interestingly, it has gained most
attention as the title track of
a 1990 Carly Simon CD.
|
| |
|
|
After spending several years
in Hollywood (1932-1934) writing
songs for musical motion pictures,
Richard Rodgers was growing restless.
According to David Ewen in
Great Men of American Popular Song,
the demands of the Hollywood studios
were too intermittent, and Rodgers
and Lorenz Hart were anxious to
try out their visions for a new
form of musical, that of a “musical
play” instead of a “musical comedy.”
Although writing the score for
Billy Rose’s production of
Jumbo was hardly what they
had in mind, it was the ticket that
facilitated their return to Broadway.
|
| |
|
|
| |
|
The Jumbo book was written
by Ben Hecht and Charles MacArthur
(The Front Page, Twentieth
Century) and directed by George
Abbott. The musical opened with
Paul Whiteman riding onto the
stage on a white stallion and featured
over a dozen circus acts, including
clowns, jugglers, girls shot from
cannons, and high-wire acts. There
were over 1000 animals, not the
least of which was Jumbo the elephant.
The Rodgers and Hart score included
such hits as “Little
Girl Blue,” “Why Can’t I?” “The
Most Beautiful Girl in the World,”
“The Circus Is on Parade,” “Over
and Over Again,” and “My Romance.”
In his book on Broadway musicals
of the 1930’s,
Ring Bells! Sing Songs!
Stanley Green comments, “Rodgers
and Hart’s musical efforts for
Jumbo won top honors of the
year, even though
Cole Porter’s Jubilee
and
George Gershwin’s Porgy and
Bess had their champions (and
their detractors).”
“My Romance” appeared in the
1962 film
Billy Rose's Jumbo, a pet
project of Doris Day and her then
husband Martin Melcher. According
to
www.dorisday.net the song is
considered a cornerstone of the
production and is described as
…(Doris) sings
the lovely ballad, “My Romance”
to (Sam). The camera lingers
lovingly on Doris’ face, which
is partly shadowed by the dark…
she finishes the song just in
time to kiss her lover passionately.
Very beautiful.
Although the cast included Day,
Stephen Boyd, Martha Raye, Dean
Jagger, and Jimmy Durante, the film
was not a critical or box-office
success. In his book
The Melody Lingers On: The Great
Songwriters and Their Movie Musicals,
Roy Hemming says, “…Jumbo
didn’t deserve to flop–and it remains
unjustly underrated among MGM’s
supermusicals of the ‘50s and early
‘60’s.” Hemming further said that
audiences had perhaps had their
fill of circus movies at that time.
|
|
|
|
“My Romance” is almost never performed with the
introductory verse. In
American Popular Song: The Great Innovators,
Alec Wilder says, “The verse of ’My Romance’ is,
unexpectedly, disappointing and one of Rodgers’
very few that sound unrelated to the chorus.”
Hart’s lyrics are interesting in that nearly
every line is framed as a negative statement. In
the short, three-sentence verse there are the words
“won’t,” “never,” “don’t,” and two “no’s” and two
“not’s,” to convey the idea that “flow’ry fuss”
is “not for us.” The first six lines of the refrain
are an additional itemization of the things that
are not necessary for “My romance,” including
the moon, a blue lagoon, stars, guitars, a castle,
and a dance. The seventh line makes the only positive
statement,
“Wide awake I can make my
most fantastic dreams come true,”
followed by the well-put closing,
“My romance doesn’t need a
thing but you.”
-JW
|
Musical analysis of
“My Romance”
|
| Original
Key |
C major (usually
performed in Bb major today) |
| Form |
A – B – A
– C |
| Tonality |
Primarily
major |
| Movement |
“A” and “C”
are based on an upward scale movement (“C”
descends in the penultimate measure); “B”
leaps back and forth between the fifth and
the octave before a descending tetrachord
from the upper tonic to the dominant and
returning to the second “A” |
|
Comments
(assumed
background)
|
|
The way this is performed today differs
significantly from Rodger’s original. Most
modern players use an ascending I –ii –
iii – VI7(b9) progression with a ii – V7
– I turnaround for the opening measures
and several substitutions in the remainder.
One of the most significant and effective
changes is toward the end in mm 4–3 of section
“C” (“I can make my most fantastic dreams
come true”). Originally, Rodgers wrote III7
– VI7 in measure 3 and II7 in measure 4.
Today, most players use viiψ – III7 in measure
3 and vi – iv in measure 4. In the original
key, Rodgers’ designation was E7 – A7 –
D7; the modern version is Bm7(b5) – E7(b9)
– Am – Fm7. |
K. J. McElrath - Musicologist for JazzStandards.com
Check out K. J. McElrath's book of Jazz Standards Guide Tone Lines at his web site (www.bardicle.com). |
|
|
Are you a published Vocalist or Instrumentalist?
Add a comment and we'll credit you with a link
to your site. (more...)
|
“My Romance”
was included in these films:
- Billy Rose's Jumbo (1962,
Doris Day)
- Brotherly Love (1970)
And on the stage:
- Jumbo (1935, Donald Novis
and Gloria Grafton)
|
|
Click on a CD for more details
at Amazon.com
Kevin Mahogany
My Romance
1998, Warner Bros. 47025
|
| The title track of this album is
a rich, subtle version from the jazz vocalist.
Sung in straight-ahead style, he projects
depth and emotion. |
Bill Evans
Waltz for Debby
1990, Original Jazz Classics 210
Original recording, 1961
|
| The piano trio gives us two different
explorations of the song, at times becoming
quite intimate, in this live performance
at the Village Vanguard. |
Art
Blakey
Get the Message
1995, Drive Archive 41084
Original recording, 1966
|
| This version is of interest not
only for drummer Blakey’s interpretation
of the song but for the lineup. Trumpeter
Chuck Mangione shows he has the chops for
hard bop, and a 21-year-old Keith Jarrett
shows flashes of the genius he would become. |
Oliver Jones
Have Fingers, Will Travel
1997, Justin Time Records 102
|
| The song allows Canadian pianist
Oliver Jones to showcase his technical virtuosity
and warm style. At times one can hear shades
of his gospel background. |
Milt Jackson Quartet
Soul Route
1991, Pablo 2310900
Original recording, 1983
|
| The vibraphonist, in the company
of Ray Brown, Mickey Roker, and Gene Harris,
takes a soulful look at the standard. |
|
|
During the heyday of hard bop and cool West Coast
jazz in the 1950s, a young musician emerged whose
roots were firmly in the music of the previous generation.
Cornetist Ruby Braff, born in Boston in 1927, surprised
the jazz cognoscenti with his masterful playing
and his “adoration of the melody” approach to jazz
playing.
Strange as it may seem, “My Romance” seems to
have been overlooked until two recordings with Braff.
The first, accompanying vocalist Lee Wiley, was
in 1954. The second, a duet with pianist Ellis Larkins,
was in 1955. The latter is especially enjoyable
as Braff and Larkins have a special rapport and
create some wonderful music together.
Chris Tyle - Jazz Musician and Historian
|
| This section shows the jazz standards
written by the same writing team. Click on a name
to see all of a writer's jazz standards.
|
|
Additional information on “My Romance” may be found in:
2 paragraphs including the following types of information: music analysis.
1 paragraph including the following types of information: summary.
1 paragraph including the following types of information: history and performers.
Includes the following types of information: song lyrics.
1 paragraph including the following types of information: music analysis.
1 paragraph including the following types of information: lyric analysis.
|
|