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I've Got You Under My Skin (1936)

Origin and Chart Information
“I’ve Got You Under My Skin” is unusual in that the song has no verse.

- Chris Tyle

Rank 160
Words and Music Cole Porter

Cole Porter’s number was introduced by Virginia Bruce in the 1936 MGM musical Born to Dance. Hal Kemp’s recording hit the charts in October but was topped by Ray Noble’s effort in December, 1936:

  • Ray Noble and His Orchestra (1936, Al Bowlly, vocal, #3)
  • Hal Kemp and His Orchestra (1936, Skinnay Ennis, vocal, #8)
  • Stan Freberg (1951, vocal, #11)

 

Chart information used by permission from
Joel Whitburn's Pop Memories 1890-1954
 

Although Porter had written music for a number of films, Born to Dance would be the first time he had written a complete score. It also was his first MGM musical for which he was getting $3,000 a week, quite a considerable sum in 1936.

 

More on Cole Porter at JazzBiographies.com
 

Cole was asked to meet with the producers, writers and director of Born to Dance to help consult on the film and to then demonstrate the music he had written. Porter was uneasy with having to perform his material by himself but had to acquiesce. In the George Eels biography, The Life That Late He Led: A Biography of Cole Porter, the author quotes directly from Porter’s diary, relating the events surrounding the music for Born to Dance: “April 20, 1936. I took in ‘I’ve Got You Under My Skin’ and they all liked it very much. Sam Katz [executive producer] asked me to get hold of [vocalist] Frances Langford at once and coach her for the song so she could come out and demonstrate it as soon as she was ready.” Langford came in on May 11, and they were pleased with her performance. (Langford was slated to play one of the parts in the film.) But on May 20, they asked Virginia Bruce (the female lead) to audition the song. Porter and the others were pleased with the results, and Bruce would eventually be the one to perform the song in the film.

Nevertheless, when Decca Records issued a set of recordings of music from the film, it was Langford who sang “I’ve Got You under My Skin.” Then Brunswick issued a recording of Bruce singing the tune, along with “Easy to Love” which was sung by young Jimmy Stewart in the film. The tune was immediately successful, landing second place in a list of songs played most often on the radio.

“I’ve Got You Under My Skin” is unusual in that the song has no verse. It was standard practice with most popular songs to have a verse to “set-up” the chorus. Ironically most of the time tunes are performed without the verse anyway. The lyrics of “I’ve Got You under My Skin” relate to an infatuation “so deep in my heart, you’re really a part of me.” One of Cole’s neatest rhymes, “use your mentality, wake up to reality,” conveys the message “a warning voice that comes in the night.”

Chris Tyle - Jazz Musician and Historian

Music and Lyrics Analysis

Musical analysis of “I’ve Got You Under My Skin”

Original KeyEb major
FormA1 - A2 - B
TonalityPrimarily major
MovementPrimarily step-wise scale patterns, moving upward during “A” sections and downward during “B” before climbing to the melodic climax in measure 27.

Comments     (assumed background)

This melody has a very wide range, covering a full twelfth, from Bb to the F above the tonic an octave higher in the original key. Because the extreme ends of this range are approached by steps, however, it is not beyond the novice vocalist and, in fact, presents a fine opportunity for singers of limited experience to “stretch” their range and abilities.

Porter’s original chord progression was fairly standard, moving ii - V7 - I for the most part. However, the melodic notes tend to avoid “color tones” such as the ninth, thirteenth, etc., so there are many opportunities for creative jazzers to come up with alternate changes.

K. J. McElrath - Musicologist for JazzStandards.com

Check out K. J. McElrath’s book of Jazz Standards Guide Tone Lines at his web site (www.bardicle.com).
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By the Same Writers...
Reading & Research

Jazz History Notes

Red Norvo’s magical trio from 1950, with guitarist Tal Farlow and bassist Charlie Mingus, charmed the jazz world with their skilled arrangements and facile solo playing. On “I’ve Got You Under My Skin” an ethereal contrapuntal figure alternates with melodic statements and solo passages, with Mingus laying down a solid foundation.

Sharply contrasting with the Norvo recording is the Stan Getz Quartet version, also from 1950. Getz opens the tune in the tenor’s upper register, sounding remarkably like Paul Desmond. By the second chorus he’s delving into some Lester Young-style licks, but soon he’s into his own bag. Pianist Al Haig gets his turn, then it’s back to Stan for a swinging out-chorus.

Charlie Parker’s recording from 1954 begins with a Latin introduction by the rhythm section, but then it’s into a straight-ahead groove with Bird first stating the melody then flying into some splendid improvisation.

Chris Tyle - Jazz Musician and Historian


Red Norvo
Modern Red Norvo
Savoy Jazz 17113
Original recording 1950
Stan Getz
Quartets
Original Jazz Classics 121

Charlie Parker
The Cole Porter Songbook
Polygram Records 23250

CD Recommendations for This Tune
Click on any CD for more details at Amazon.com
Diana Krall
When I Look In Your Eyes
1999 Impulse! 304
Original recording 1999
Vibraphone and flute introduce the listener to the dreamy romance of a light bossa nova beat from guitarist Russell Malone and the lazy sensuality of Krall’s vocals.
Randy Weston
Solo, Duo & Trio
2000 Milestone Records 47085
Original recording 1950
Pianist Weston takes this tune in a duo setting with bassist Sam Gill, and together they explore Porter’s composition in a manner that Porter probably could not have imagined but would have delighted in.
Renee Rosnes
With a Little Help From My Friends
2001 Blue Note 26584

This album contains a superb version of the song featuring Rosnes’ upbeat, swinging piano in the midst of a somewhat ominous, swirling string section.
Martin Taylor
The Valley
2005 P-3 Music

For years Taylor was Stephane Grappelli’s guitarist, and even though the violinist was the star, it was clear that Taylor was a major talent. This CD shows him to great advantage in various settings. Opera star Bryn Terfel does a nice job of phrasing this song in duo with the guitarist.

- Ben Maycock

Written by the Same Composer or Team...
This section shows the jazz standards written by the same writing team.

Cole Porter

Year Rank Title
1930 8 What Is This Thing Called Love?
1930 30 Love for Sale
1932 33 Night and Day
1935 74 Just One of Those Things
1944 119 I Love You
1936 122 Easy to Love
1934 139 I Get a Kick Out of You
1936 160 I've Got You Under My Skin
1942 188 You'd Be So Nice to Come Home To
1937 209 In the Still of the Night
1944 220 Ev'ry Time We Say Goodbye
1935 247 Begin the Beguine
1953 279 It's All Right with Me
1939 290 I Concentrate on You
1954 356 All of You
1950 390 From This Moment On
1938 410 Get Out of Town
1948 443 So in Love (Am I)
1934 509 All Through the Night
1953 553 I Love Paris
1938 584 My Heart Belongs to Daddy
1929 734 You Do Something to Me
1934 754 Anything Goes
1941 773 Ev'rything I Love
1928 797 Let's Do It (Let's Fall in Love)
1937 909 At Long Last Love
1941 910 Dream Dancing
1937 939 Rosalie
1934 940 You're the Top

Reading and Research
Additional information for "I've Got You Under My Skin" may be found in:

Allen Forte
Listening to Classic American Popular Songs
Yale University Press; Book & CD edition
Hardcover: 219 pages
8 pages including the following types of information: history, lyric analysis, music analysis and song lyrics. (Book includes CD).

David Ewen
American Songwriters: An H.W. Wilson Biographical Dictionary
H. W. Wilson
Hardcover: 489 pages
1 paragraph including the following types of information: history and performers.

Alec Wilder
American Popular Song: The Great Innovators, 1900-1950
Oxford University Press; Reprint edition
Hardcover: 576 pages
3 paragraphs including the following types of information: music analysis.

Thomas S. Hischak
The American Musical Film Song Encyclopedia
Greenwood Press
Hardcover: 536 pages
1 paragraph including the following types of information: summary, lyric analysis, music analysis and performers.

Max Morath
The NPR Curious Listener's Guide to Popular Standards
Perigee Books
Paperback: 235 pages
1 paragraph including the following types of information: history and performers.

Susan Sackett
Hollywood Sings!: An Inside Look at Sixty Years of Academy Award-Nominated Songs
Pub Overstock Unlimited Inc
Paperback: 332 pages
5 paragraphs including the following types of information: film productions, history and performers.

Alan Lewens
Popular Song: Soundtrack of the Century
Watson-Guptill Publications
Paperback: 192 pages
1 page including the following types of information: history, performers, style discussion and song writer discussion.

Charles Schwartz
Cole Porter: A Biography
Da Capo Press; 1st Pbk edition
Paperback: 365 pages
1 paragraph including the following types of information: music analysis.

Robert Kimball, Brendan Gill
Cole: A Biographical Essay
Overlook Press
Hardcover: 283 pages
Includes the following types of information: song lyrics.

Robert Gottlieb, Robert Kimball
Reading Lyrics
Pantheon
Hardcover: 736 pages
Includes the following types of information: song lyrics.

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