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Nice Work If You Can Get It (1937)

Origin and Chart Information
Rank 158
Music

George Gershwin

Lyrics Ira Gershwin
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Music and Lyrics Analysis

Musical analysis of “Nice Work If You Can Get It”

Original Key G major; brief shift to E minor and D minor during the “B” section
Form A1 - A1 - B - A2
Tonality “A” is major; “B” is minor
Movement “A” moves primarily by step; the first motif rises one step for two beats before descending; then this entire pattern repeats before going into a section consisting of upward scale movement. “B” is more arpeggiated, containing leaps of as much as a downward octave.

Comments     (assumed background)

A smooth vehicle for Ira Gershwin’s clever lyric, the harmonic progression starts on the III chord (V7/VI), returning to the tonic via the circle of fifths, overshooting it by moving to the subdominant and then to an unresolved II that is followed by an immediate return to I (some embellishing chords are used before going into the second “A”). “B” shifts to the relative minor, then eventually returns to the tonic the same way.
K. J. McElrath - Musicologist for JazzStandards.com

Check out K. J. McElrath's book of Jazz Standards Guide Tone Lines at his web site (www.bardicle.com).
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CD Recommendations for This Tune
Click on a CD for more details at Amazon.com
Benny Green

Green’s Blues
2001 Telarc 83539
Original recording 2001
It is hard to believe that there is only Green alone at the piano on this high energy gospel-laced rendition of the song. The pianist skitters across the keys with the urgency of a hummingbird.
Terence Blanchard

The Billie Holiday Songbook
1994 Columbia 57793
Original recording 1994
Vocalist Jeanie Bryson’s dulcet tones and Blanchard’s muted trumpet set atop a mid-tempo swing create a melancholy atmosphere of bittersweet romance.
Charlie Byrd

Blue Byrd
1991 Concord 4082
Original recording 1978
Byrd presents a full-bodied, gypsy swinger ripe with intricate picking and propelled by a rhythm section that suggests Latin influences.
Fred Astaire

Steppin’ Out: Astaire Sings
1994 Polygram Records 23006
Original recording 1952
The great songswriters--Berlin, the Gershwins, Porter, and Kern--loved for Astaire to introduce their songs. He had a pleasant voice, an affection for the lyrics, and a marvelous rhythmic sense. In this recording he’s featured with the heavyweights of jazz such as Oscar Peterson, Ray Brown, Barney Kessel and others.
Tony Bennett

Steppin’ Out
1993 Sony 57424
Tony Bennett’s tribute to Astaire with the Ralph Sharon Trio also includes a wonderful version of the song.
Jazz History Notes

Gershwin’s tune was a life-long favorite of pianist Teddy Wilson. His recording from early November, 1937, features sparkling keyboard work, an enchanting vocal by young Billie Holiday, and solid trumpet by Buck Clayton of Count Basie’s band. Less than a month later, on a national radio broadcast, Wilson was on hand with Benny Goodman’s Trio performing an effervescent version aided by the tasty drumming by Gene Krupa.

Minton’s Playhouse, a popular club in New York’s Harlem, figures prominently in jazz history as practically the birthplace of bop. Some of the sessions were privately recorded, and pianist Thelonious Monk was frequently on hand, providing the first glimpses of his playing. He’s in a Teddy Wilson mode on a 1941 segment that also includes little-known trumpeter Joe Guy.

By 1947 Monk was finding his own way, although it seems natural that touches of Teddy Wilson were still evident on his version for Blue Note of “Nice Work...”

Chris Tyle - Jazz Musician and Historian


Billie Holiday

The Quintessential Billie Holiday: Vol. 5, 1937-1938
Sony 44423

Benny Goodman

On the Air 1937-1938
Sony 48836

Joe Guy/Billie Holiday
Harlem Odyssey
Xanadu 112 (vinyl lp, out-of-print, but available online at www.emusic.com)

Thelonious Monk

Complete1947-1952 Blue Note Recordings
Jazz Factory Spain
Written by the Same Composer or Team...
This section shows the jazz standards written by the same writing team. Click on a name to see all of a writer's jazz standards.

George Gershwin and Ira Gershwin

YearRankTitle
192418The Man I Love
192422Oh, Lady Be Good!
193024Embraceable You
193054But Not for Me
193857Love Is Here to Stay
193073I Got Rhythm
192677Someone to Watch Over Me
193786They Can’t Take That Away from Me
193788A Foggy Day
192798’S Wonderful!
1937158Nice Work If You Can Get It
1937201Love Walked In
1927213How Long Has This Been Going On?
1929320Strike Up the Band
1924329Fascinating Rhythm
1929381Soon
1931419Who Cares? (So Long As You Care for Me)
1935420It Ain’t Necessarily So
1930487I’ve Got a Crush on You
1936766Let’s Call the Whole Thing Off
1936927They All Laughed
1926983Maybe

George Gershwin, Ira Gershwin and Dubose Heyward

YearRankTitle
1935270I Loves You Porgy
1935539Bess, You Is My Woman Now

George Gershwin, Ira Gershwin and Gus Kahn

YearRankTitle
1929189Liza (All the Clouds’ll Roll Away)
Reading and Research

Additional information on “Nice Work If You Can Get It” may be found in:


1 paragraph including the following types of information: music analysis.

5 pages including the following types of information: music analysis.

1 paragraph including the following types of information: Broadway productions and summary.

1 paragraph including the following types of information: history and performers.

2 pages including the following types of information: anecdotal and song lyrics.

1 page including the following types of information: history and lyric analysis.

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